The multi-award-winning Finnish documentarian Mika Kaurismäki, brother of Aki Kaurismäki (The Man Without a Past), helms the nonfiction work Sonic Mirror -- a protracted exploration of rhythm as one of life's driving forces. Revered drummer Billy Cobham serves as host, taking the audience on a long musical journey around the world and through a myriad of musical genres and styles. Cobham, Kaurismäki, and co. segue from Western concert halls and stages to the music of African tribes performed by Brazilian street children to the distinct music of autistic patients. Along the way, the filmmakers raise serious questions about the function of music as an identifying force, a means of communication, and an emotional release; they also probe the enduring connections between group awareness and self-awareness. The film ultimately builds to a hugely affirming and cathartic expression of music as collective expression that unifies its performers in spirit.

Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) a drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go.

When Jo Tiegan is given an oval-shaped mirror, as a gift, by the elderly owner of an antique shop, she is amazed to see another girl's image in the mirror instead of her own reflection. It is also quite obvious that the other girl can see her just as clearly. Jo (from the 1990's) and 'the girl in the mirror', Louisa Iredale (from 1919), later accidently find that they can also travel to each other's times through the mirror - following upon which discovery a relentless sequence of events is set in motion.

A TV production crew member becomes distracted while polishing a mirror. He turns his attention to the watching TV cameras, which now appear to have personalities of their own.

A wealthy widow, a restless housewife, and a former model seek to reshape themselves through cosmetic surgery to please the men in their lives.

Two families - De Lutrelles and McFarlanes. They both live in the same house, but 130 years apart in time. De Lutrelle's: father Gervaise, mother Violette and daughter Constance. In their age, around the house were goldfields. Family emigrated from France with the remnants of their wealth, and hoping to find gold so they would restore their fortunes. McFarlan's: father Doug, mother Jenny who decided to get in a new business: eco-tourism. Guests will stay with Doug and his family - second wife Jenny, stepson Fergus, daughter Mandy, and sister-in-law Lily, who maked troubles wherever she goes! Doug has also another son, Daniel. When the series begins, Daniel decides he wants to meet the father who left him and his mother Caroline when he was just a baby. He invites himself to stay for the holidays and, with the help of the mirror, he changes everyone's life, his own included.

In every profession there is someone who changes the rules of the game. In music, that person is Bruce Swedien. In the early eighties in Los Angeles, Bruce embarked on a project that revolutionized the music industry forever. For the first time, those involved in that project tell the unknown story behind the work that Bruce did and how his talent ended up being an essential piece in the history of popular culture. Sonic Fantasy introduces you to the man behind the best music you've ever heard.

Within days of the release of Negativland's clever parody of U2 and Casey Kasem, recording industry giant Island Records descended upon the band with a battery of lawyers intent on erasing the piece from the history of rock music. Craig "Tribulation 99" Baldwin follows this and other intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surveys the prospects for an "electronic folk culture" in the midst of an increasingly commodified corporate media landscape.

Further to an accident, Serge falls into a coma. A research team is going to try to stimulate his memory to return him to consciousness.

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